A feminist companion to Shakespeare

Cover of: A feminist companion to Shakespeare |

Published by Blackwell Publishers in Malden, Mass .

Written in English

Read online

Places:

  • England

Subjects:

  • Shakespeare, William, 1564-1616 -- Characters -- Women,
  • Feminism and literature -- England -- History -- 16th century,
  • Feminism and literature -- England -- History -- 17th century,
  • Women and literature -- England -- History -- 16th century,
  • Women and literature -- England -- History -- 17th century,
  • Sex role in literature,
  • Women in literature

Edition Notes

Includes bibliographical references and index.

Book details

Other titlesShakespeare
Statementedited by Dympna Callaghan.
SeriesBlackwell companions to literature and culture
ContributionsCallaghan, Dympna.
Classifications
LC ClassificationsPR2991 .F45 2000
The Physical Object
Paginationxxiv, 384 p. ;
Number of Pages384
ID Numbers
Open LibraryOL51102M
ISBN 100631208062
LC Control Number99056237

Download A feminist companion to Shakespeare

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Summary: The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare.

"The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. The all-women team of contributors to A Feminist Companion to Shakespeare argues that not only is Shakespeare important for women, his works are specifically important for feminism.".

"With the second edition of A Feminist Companion to Shakespeare, we have the opportunity to revisit some of the most important interventions in a political and intellectual project A feminist companion to Shakespeare book has remade Shakespeare studies.1/5(1). A Feminist Companion to Shakespeare is the first feminist statement on Shakespeare for the 21st s: 3.

A Feminist Companion to Shakespeare. The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken by all-women team of contributors to A Feminist Companion to Shakespeare/5(16). This four-volume Companion to Shakespeare's Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism.

Brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States. In William Shakespeare's Othello, Desdemona is beautiful and young, but also enigmatic: one cannot know exactly why she rejects her numerous Venetian suitors to marry the Moor.

In Toni Morrison's play, however, Desdemona's voice and story dominate the stage. Desdemona as a performance product was a unique theatrical experience. O-Book. Read an Excerpt Chapter 01 (PDF) Index (PDF) Table of Contents (PDF) Description.

The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare.

The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare.

Provides the definitive feminist statement on. The chapter offers some future directions for research with concise examples of what different kinds of intermedial analysis might look like within the study of Shakespeare and in contemporary feminist criticism surrounding Shakespeare, particularly with regard to Othello.

It then relates a partial history of three centuries of African American. A Feminist Companion to Shakespeare is the first feminist statement on Shakespeare for the 21st : Wiley.

The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare.

Provides the definitive feminist statement on Shakespeare for the 21st centuryBrand: Wiley. The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare.

This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare. Provides the definitive feminist statement on Shakespeare for the 21st centuryPrice: $   Book Editor(s): Dympna Callaghan feminist Shakespeare criticism has been almost completely shaped by the scholarly consensus about the pervasiveness of masculine anxiety and women's disempowerment in Shakespeare's world.

A Feminist Companion to Shakespeare, Second Edition. Related; Information; Close Figure Viewer. The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare.

The all-women team of contributors to "A Feminist Companion to Shakespeare" argues that not only is Shakespeare important for women, his works are specifically important for feminism/5(16). A Feminist Companion to Shakespeare out of 5 stars Definitely feminist perspectives against Shakespeare Reviewed in the United States on Aug This book is helpful to understanding the view of feminists who support idea of Shakespeare as a misogynist, but you get no other feminist viewpoint of him/5.

This four-volume Companion to Shakespeare's Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism.

Brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States.

The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken by the contributors to A Feminist Companion to the new edition of this award-winning book, contributors come from across the feminist generations and from various stages in their careers to address what is new in Reviews: 1.

The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken in the dynamic and newly updated edition of A Feminist Companion to Shakespeare.

Provides the definitive feminist statement on Shakespeare for the 21st century Updates address some of the newest theatrical andcreative engagements with Author: Dympna Callaghan.

Exploring the first known example of a woman's published engagement with Shakespeare, the chapter suggests that there is a necessary affinity between bardolatry and antifeminism, an affinity hypervisible in Bissell's parody of feminism and endemic to the very origins of the tradition of identification itself.

Each contributor is committed to providing beginning students (both female and male) with an accessible foundation for study, while negotiating for the more advanced reader the urgent issues of the field.

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In his will, Shakespeare left Anne his "second best bed". This is widely thought to be a slight but, in fact, the second best bed in most households was the marital bed – a rather touching. A Feminist Companion to Shakespeare Blackwell Companions ~ This is the explicitly political approach taken by the contributors to A Feminist Companion to Shakespeare In the new edition of this awardwinning bookcontributors come from across the feminist generations and from various stages in their careers to address what is new in the field in terms of historical and textual.

Dympna Callaghan is the author of A Feminist Companion to Shakespeare ( avg rating, 16 ratings, 0 reviews, published ), Shakespeare Without Women /5(5).

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* Provides the definitive feminist statement on Shakespeare for the 21st century. A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies. Redraws the boundaries of Shakespeare performance studies.

Considers performance in a range of media, including in print, in the classroom, in the theatre, in film, on television and video, in multimedia and digital forms.

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Dympna Callaghan has 26 books on Goodreads with ratings. Dympna Callaghan’s most popular book is Romeo and Juliet. This four-volume Companion to Shakespeares Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism.

Brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States.

Examines each of Shakespeare’s plays and major.Her most recent books are Who Was William Shakespeare? (), Hamlet: Language and Writing (), and A Feminist Companion to Shakespeare, Second Edition (). She is the editor of the book series Arden Language and Writing, and co-editor, with Michael Dobson of the Palgrave Shakespeare monograph series.Get Books Iván Nyusztay's Myth, Telos, Identity: The Tragic Schema in Greek and Shakespearean Dramafor the first time presents a systematic comparison of Greek and Shakespearean tragedy.

By thematizing the common modes of the tragic, it measures their structural regularities against corresponding philosophical and ethical reflections.

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